I’m going over notes on the edit – but look at that, I managed to post something. Thanks for dropping in.
A lot has been written about Marilyn’s last film—her clashes with Cukor, the support of Dean Martin—but what I thought was interesting about this footage was her consummate skill, and the glimpse it affords of what it’s like to turn it on, over and over, performing for the camera. The scene as it’s cut together shows the polish, but it’s very illuminating to see the process… Side note, her rapport with the child actors is something I find particularly touching.
Something’s Got to Give is an unfinished 1962 American feature film, directed by George Cukor for Twentieth Century-Fox and starring Marilyn Monroe, Dean Martin and Cyd Charisse. A remake of My Favorite Wife (1940), a screwball comedy starring Cary Grant and Irene Dunne, it was Monroe’s last work; from the beginning its production was disrupted by her personal troubles, and after her death on August 5, 1962 the film was abandoned. Most of its completed footage remained unseen for many years.
Twentieth Century-Fox overhauled the entire production idea with mostly new cast and crew and released their My Favorite Wife remake, now titled Move Over, Darling and starring Doris Day, James Garner, and Polly Bergen, 16 months later…
Several weeks before principal photography began, the cast and crew gathered for wardrobe tests on a set that was a fully lit recreation of George Cukor’s Beverly Hills home. Production designer Gene Allen had sent a crew of men to Cukor’s home at 9166 Cordell Drive to photograph the house and pool areas of the estate. According to Allen, Cukor was photographed in the set’s courtyard with the intent of using the photo as his 1962 Christmas card.